Reversioning the album #2: Propellerhead’s Abbey Road keyboard module – the sound of The Beatles, Pink Floyd & more.

by Simon Hilton on Thu 21 May 2009


The classic instruments.
Recorded with the original mics.
In the original room.
With the original equipment.
This is Abbey Road in a box.

Being what is perhaps the most famous recording studio on the face of the earth, Abbey Road is synonymous with Number One hits and historical pop recordings. But there’s more to Abbey Road than all the name artists who have recorded there. In our book, it’s all about the sound. The Abbey Road sound.

All instruments featured in the Abbey Road Keyboards ReFill were recorded in Abbey Road’s Studio Two, a spacious, first-class recording room with excellent acoustical qualities. In order to fully capture the magic of Studio Two, all instruments were recorded not only up close, but also from a considerable distance, allowing them to benefit from the room acoustics.

Microphone Set Up for Abbey Road Piano
We’ve made a point of recording these keyboards in a way that will make them sound just as good in your Reason system as they do in real life. Using original vintage microphones, preamps and outboard gear from Studio Two – together with the expertise provided by the Abbey Road engineers – we have captured these instruments in the way they were back in the day. The result is Abbey Road – its instruments, its technology, its acoustics – in a box.

Steinway Upright – the Mrs. Mills piano
A bright, wonderfully out-of-tune upright piano with lacquered hammers that give it a distinct, tack-piano sound. Its very special tuning, or lack thereof, adds a natural chorus effect to its tone. Purchased by Abbey Road in the 1950s, this piano has been played by many famous hands.


Challen Studio Piano
Studio Two’s slightly mellow, warm sounding upright has a dark tone and incredible sustain. Built in the 1930s, this piano looks just as old as it sounds. Which is downright beautiful.


Hammond RT-3
This Hammond RT-3, property of Abbey Road since the 1960s, is similar to the classic Hammond B3 organ, only bigger in size and packing more features. The majority of the featured RT-3 patches were recorded through a king-size Leslie Model 122 speaker, for that true Hammond sound.


Mannborg Harmonium
An entirely acoustic, manually powered reed organ which uses pedal driven air pumps to generate sound. The Harmonium has a soft attack and swelling, drone-like sound.


Schiedmayer Celeste
An orchestral keyboard instrument with a warm, bell-like tone. Although played using mallets, the Celeste is a surprisingly quiet instrument. Recorded properly, however, it can sound amazingly expressive. The Schiedmayer Celeste is one of the oldest instruments in the Abbey Road arsenal.


Mellotron M400
The Mellotron, a tape based version of todays digital sampler, was popular among fearless experimental musicians in the 60s and 70s. Sampled here are the Flute, Cello and String tape banks, as used in Abbey Road’s Mellotron in the 1960s.


Premier Tubular Bells
An orchestral percussion instrument made up of hollow metal tubes mounted on a frame. Tuned and laid out like a keyboard instrument, these bells will add a distinctive 60s feel to your tracks.
Samples of the keyboard sounds here.
Oh, and it’s 200 Euros.

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